Most Americans would find this amazing, but there are a sizable number of people out there -- mostly in backwashes like Australia, Canada and Europe -- who actually still like, in fact, even idolize and revere the 70s-vintage Euro pop act, ABBA.
I discovered this when I went to research several pieces that I did arguing the absurdity of ABBA's impending induction into Jann Wenner's Rock 'n roll Hall of Fame.
The archived critiques can be seen here: and here:
There are literally hundreds of websites and blogs devoted to the worship of the Swedish quartet -- many of them still quite active and not all products of the official ABBA business consortium.
It is interesting to note that of the many hundreds who read the most recent critique, fewer than 25% were from the USA. That's understandable, given the fact that, aside from the pre-adolescent teeny-bop crowd, ABBA attained comparatively very little public acceptance in the world's largest popular music market.
Many of the ABBA enthusiasts reacted to my critique with schoolyard taunts questioning the legitimacy of my familial origions or the viability of my mental condition. And some suggested interesting and unusual anatomical feats that I should consider performing on myself.
But a very few put forth, more or less, serious logical attempts to justify the ABBA induction travesty.
Here are several:
One Rudolf Ondrich from Europe wrote:
Hmmmmm. I do get that this is satire, but it is pretty crap.
And ABBA do belong in the HoF based on musical reasons.
There is nothing light and fluffy about the music of ABBA. The Album (1977), Super Trouper (1980) and The Visitors (1981) are all brilliant, well crafted albums. Most people make the assumption ABBA only wrote Mamma Mia or Dancing Queen over and over again, that is simply the most silliest idea one can have about the music of ABBA.
Here is my personal input – In the mid-19th Century the music of the composer Richard Wagner represented a new phase of music, whereas the music of the composer Johannes Brahms was considered much more conservative and old-fashioned. At the time, everyone considered the music of these two men to be totally separate and no one would say they are the same genre, (Old Style Vs New Style), whereas nowadays they are seen under the same umbrella (ie German Romanticism). Could one day Rock Vs Pop become one group of music?
And one anonymous female writer from abroad argued that ABBA were, far from being a female sexploitative glorified pole dancing act, a significant force for feminism and serious social commentary:
One of the many good things about ABBA was that they brought a lot of female viewpoints, previously unheard in music, out into the open, such as in Gimme! Gimme! Gimme! and even in Dancing Queen. The male dominated rock and roll scene up to that time( and even since) had and has an almost exclusively 100% male social viewpoint. As ABBA's career coincided with the Women's Liberation Movement of the 1970's, that makes ABBA a significant social commentator in music.
I guess this is the kind of artistically immortal German Classicism and poignant feminism of which they speak:
So, you see, once again, we silly Americans just don't get it and need the Europeans and 3rd Worlders to enlighten us.
We just couldn't fathom ABBA's profundity and biting social commentary.
No wonder the French think Jerry Lewis is a comedic genius and the Germans think David Hasselhoff is a serious actor and we effete Americans have cruelly overlooked their greatness.
And they also think that soccer is a serious sport.
